Jerry Goldsmith - The Satan Bug (Archival Edition) - 2007
Info Musique:
THE SATAN BUG (Archival Edition) [Soundtrack] (2007)
Jerry Goldsmith's score to The Satan Bug was an important stepping stone, featuring snaking, snarling atonality and avant garde suspense as a kind of bridge from his television work (such as The Man From U.N.C.L.E.) to feature classics like Planet of the Apes. Goldsmith wrote for an orchestra devoid ofmore...Jerry Goldsmith's score to The Satan Bug was an important stepping stone, featuring snaking, snarling atonality and avant garde suspense as a kind of bridge from his television work (such as The Man From U.N.C.L.E.) to feature classics like Planet of the Apes. Goldsmith wrote for an orchestra devoid of high strings -- only cellis and bass -- with a battery of brass, percussion, woodwinds and two early synthesizers, the Hammond Solovox and Novachord. Utilizing 12-tone serial techniques, Goldsmith concocted an eerie, malevolent sound world of astringent action and seething creepiness. The master tapes to The Satan Bug were thought to be long destroyed, but two reels turned up miraculously. The two units of the 1/2" three-track stereo masters -- recorded on the Samuel Goldwyn scoring stage in terrific sound quality -- represent around 40% of the score. The only other source for the Satan Bug recording is a monaural music-and-effects track which was isolated on a 1996 laserdisc of the film. Because all Jerry Goldsmith music is worth preserving, this premiere "archival edition" of The Satan Bug combines the music-only tapes with the music-and-effects source (newly retransferred) for a chronological presentation of the complete score. (Fortunately, the main and end titles are free of sound effects, as they appear that way in the film.) By sound effects, please note, we mean sound effects: car noises, helicopters, gunshots, doors slamming, grunts and groans, air conditioners, monkey chirps, telephones...it is not pretty. The surviving music-only sections total 30:34, and our original intention was to release this material only. We then decided to add the music-and-effects cues as a bonus. It simply happened to work out that the music-and-effects cues "cleaned up" better than we had hoped, and that the cues were best presented chronologically. The CD liner notes (by Jeff Bond) provide programming instructions for making a music-only sequence.
Genre: Alternatif et Musique Indé
Editeur: Film Score Monthly
Jerry Goldsmith's score to The Satan Bug was an important stepping stone, featuring snaking, snarling atonality and avant garde suspense as a kind of bridge from his television work (such as The Man From U.N.C.L.E.) to feature classics like Planet of the Apes. Goldsmith wrote for an orchestra devoid ofmore...Jerry Goldsmith's score to The Satan Bug was an important stepping stone, featuring snaking, snarling atonality and avant garde suspense as a kind of bridge from his television work (such as The Man From U.N.C.L.E.) to feature classics like Planet of the Apes. Goldsmith wrote for an orchestra devoid of high strings -- only cellis and bass -- with a battery of brass, percussion, woodwinds and two early synthesizers, the Hammond Solovox and Novachord. Utilizing 12-tone serial techniques, Goldsmith concocted an eerie, malevolent sound world of astringent action and seething creepiness. The master tapes to The Satan Bug were thought to be long destroyed, but two reels turned up miraculously. The two units of the 1/2" three-track stereo masters -- recorded on the Samuel Goldwyn scoring stage in terrific sound quality -- represent around 40% of the score. The only other source for the Satan Bug recording is a monaural music-and-effects track which was isolated on a 1996 laserdisc of the film. Because all Jerry Goldsmith music is worth preserving, this premiere "archival edition" of The Satan Bug combines the music-only tapes with the music-and-effects source (newly retransferred) for a chronological presentation of the complete score. (Fortunately, the main and end titles are free of sound effects, as they appear that way in the film.) By sound effects, please note, we mean sound effects: car noises, helicopters, gunshots, doors slamming, grunts and groans, air conditioners, monkey chirps, telephones...it is not pretty. The surviving music-only sections total 30:34, and our original intention was to release this material only. We then decided to add the music-and-effects cues as a bonus. It simply happened to work out that the music-and-effects cues "cleaned up" better than we had hoped, and that the cues were best presented chronologically. The CD liner notes (by Jeff Bond) provide programming instructions for making a music-only sequence.
Genre: Alternatif et Musique Indé
Editeur: Film Score Monthly
Jacquette:
![THE SATAN BUG (Archival Edition) [Soundtrack]](/covers/music/6271.jpg)
Groupe:
alt.binaries.mp3
Categorie:
Audio > MP3
Media Info:
| Propriété | Valeur | |
|---|---|---|
| Audio | Format | MPEG Audio |
| Bitrate Mode | Constant | |
| Bitrate | 320 Kbps | |
| Canaux | 2 channels | |
| Sample Rate | 44.1 KHz | |
| Librairie | LAME3.98.3 |
Taille:
160.88 MB (100%)
Mot de passe:
Non
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